Frida Kahlo and Diego Rivera: The Golden Age of Mexican Painting

Wednesday 5th September 2018

Chloë Sayer

Frida Kahlo (1907-1954) and Diego Rivera (1886-1957) have iconic status in Mexico. Rivera’s intricate visual narratives, rich with allegory and symbolism, adorn the walls of public buildings. Kahlo’s work is small in format and she made herself the principal theme of her art, reflecting her experiences and dreams. This lecture surveys the work of both artists; it chronicles their turbulent marriage and Mexico’s history after the 1910 Revolution.

Chloë is a specialist in the art and culture of Latin America. She has curated exhibitions and assisted TV documentaries for BBC and Channel 4. In 2016 she was awarded the prestigious Ohtli medal by the Mexican government for her long-standing commitment to Mexican culture.

The V and A is having an exhibition of Frida Kahlo’s clothes and personal artefacts which have never been shown outside Mexico before. The exhibition runs until November 4th 2018.

The Extraordinary Life of Misia Sert “Queen of Paris” 1877-1950

Wednesday 3rd October 2018

Julian Halsby

Born Marie Godebska, Misia was brought up in Paris and Brussels and became a pupil of the concert pianist and composer Gabriel Faure. She married the owner of an important art magazine and was painted by Bonnard, Toulouse–Lautrec and Renoir. After her husband lost his money and the marriage broke down, she married a wealthy industrialist and became a patron of artists and musicians.

Her third marriage was to a Spanish painter, and Misia became involved with the Ballets Russes, Stravinsky and Satie. Misia became close friends with Coco Chanel in 1917.

A graduate of Emmanuel College Cambridge, Julian is an art historian, specialising in the period from about 1850 to 1920, a time rich with amazingly talented artists from the Pre-Raphaelites, via Impressionists and Post-Impressionists to the Social Realism of the 19th century adopted by the Newlyn School and many English painters. Julian has written seven books and published many articles. He is also a practising artist and an elected member of the Royal Society of British Artists.

Contrapuntal Forms: Barbara Hepworth and Terry Frost

Wednesday 7th November 2018

Justine Hopkins

In 1950 Barbara Hepworth asked Terry Frost to be her studio assistant in carving Contrapuntal Forms, the monumental stone sculpture she was sending to the 1951 Festival of Britain. She was already widely known for her abstract sculpture while he was a mature student returning to painting after spending much of the war in a prison camp.

They were neighbours in Cornwall (Terry was born and raised in Leamington), and their continued explorations of form, space, shape and colour in the changing Cornish light created works which brought them both international reputation and national honour.

Justine is a freelance writer and lecturer in Art History. She has a BA Hons degree from Bristol University, an MA in Art History at the Courtauld Institute and a PhD from Birkbeck College, London.

She has worked as an Art History lecturer and writer for Bristol, London, Oxford and Cambridge Universities; Tate Britain and Tate Modern; the National Gallery, National Portrait Gallery; the Victoria and Albert Museum; Sotheby’s, Christies’ and other independent institutions.

Votes for Women! Art and the Suffragettes

Wednesday 6th February 2019

Dr Caroline Shenton

This lecture explores the story of the suffragettes through their ‘pro and anti’ portrayals in cartoons, postcards and paintings – as well as their own artistic productions.

It will also consider the Suffragettes’ impact on the Houses of Parliament itself and how the Parliamentary Art Collection has responded to criticism that its own collection is too ‘male, stale and pale’.

By turns amusing, infuriating, enraging and ultimately inspiring, you will come away from this talk with a new appreciation of how the campaign for equal electoral rights was won by and through art.

Caroline is an archivist and historian. She was formerly Director of the Parliamentary Archives in London, and before that was a senior archivist at the National Archives. Her first popular history book, “The Day Parliament Burned Down”, won the Political Book of the Year Award in 2013 and Mary Beard called it ‘microhistory at its absolute best’ while Dan Jones considered it ‘glorious’. Its highly-acclaimed sequel, “Mr Barry’s War”, about the rebuilding of the Palace of Westminster, was a Book of the Year in 2016 for The Daily Telegraph and BBC History Magazine and was described by Lucy Worsley as ‘a real jewel, finely wrought and beautiful’. Caroline teaches Public History to postgraduates at the University of Dundee, and during 2017 was a Political Writer in Residence at Gladstone’s Library.

The Music of Paint

Wednesday 6th March 2019

Peter Medhurst

Some of the finest paintings in Western Art contain references to the world of music – Holbein’s The Ambassadors, Vermeer’s Young Woman at the Virginals, Gainsborough’s portraits of 18th century composers – and often the musical element carries intriguing and complex symbolism.

Peter Medhurst selects a range of masterpieces from the 16th to the 18th centuries and matches them with live music that stems from the exact time the paintings were created.

Peter’s work as singer, pianist and lecturer-recitalist has taken him all over the world. In the last few years he has toured New Zealand, Australia and South Africa and made frequent tours in Europe. Closer to home, he has presented events at the Barbican, St John’s Smith Square, and the Royal Festival Hall. He has also directed presentations at the Wallace Collection, the National Gallery, the National Portrait Gallery and the V&A, linking the visual arts with the world of 17th & 18th century music making.

The Horse and Modern Art from George Stubbs to Mark Wallinger

Wednesday 3rd April 2019

Dr Nicholas Watkins

The horse is so rooted within the psyche of the Western imagination that it has maintained its expressive power through the centuries.

Stubbs, the greatest horse painter of all time, depicted the English Thoroughbred as a lean, mean racing machine. Degas learnt from sequential photography how to represent the mechanical movements of a galloping horse. For Munnings the horse represented tradition, a defining image of Englishness, while for the Fascists and Nazis the horse was a symbol of authority.

In Guernica (1937) the most moving protest painting of the twentieth century, Picasso employed an agonised horse in its death throes to evoke the destruction of the civilian population by the German Condor Legion flying for Franco in the Spanish Civil War.

The lecture concludes with the very diverse ways contemporary artists have made use of the equestrian image including Mark Wallinger’s planned but as yet unrealised gigantic 50 metre horse in Kent.

Nicholas is Emeritus Reader in the Department of the History of Art and Film, University of Leicester, curator, critic, author and lecturer. He is a regular contributor to The Burlington Magazine and other leading art journals. He lectures extensively to universities, museums, art galleries and art societies.

The Art and Culture of Fin-de-Siècle Vienna

Wednesday 1st May 2019

Gavin Plumley

At the turn of the last century Vienna was the capital of a vast empire and one of the most exciting artistic laboratories in the world. It produced painters such as Gustav Klimt, Egon Schiele, and Oscar Kokoschka, architects like Otto Wagner, Adolf Loos and Josef Hoffman, the psychoanalyst Sigmund Freud, the composer Gustav Mahler and the philosopher Ludwig Wittgenstein.

This lecture looks at these and other figures in the context of the society in which they worked and asks how and why the City of Dreams became a cultural hotbed around 1900.

Gavin is a writer and broadcaster. Well known for his work on Vienna and Central European music and culture, he is equally at home on Broadway and in Tolstoy’s Russia. His work can be found in newspapers, magazines and opera and concert programmes around the world. He appears frequently on BBC Radio 3, both as a guest and as a presenter, and on BBC Radio 4. Gavin also edits other people’s writing, as a commissioning editor for the Salzburg Festival and for the Oxford Lieder Festival.

Thank You Your Majesty: the Royal Art Collection

Wednesday 5th June 2019

Linda Collins

We look at the founding of the Royal Collection with Henry VIII and we then work chronologically through our Monarchs looking at items they brought in to the Royal Collection.

This gives us a good idea of their personal taste – and there are some surprises! George IV would bankrupt himself for diamonds and yet his taste in art was for small genre pictures. Charles I was probably our greatest connoisseur of art. He enjoyed acquiring Italian paintings by important artists and our Royal Collection at this time would have rivalled any in the world.

On the other hand, it was said of William IV that he couldn’t tell a decent painting from a window shutter!

Linda was employed by the Historic Royal Palaces for more than twenty years before becoming an independent lecturer. She holds a BA(Hons) in Early Italian art, an MA in the works of Georges de la Tour, and a Diploma in French language and Culture.

Linda describes working amongst the paintings in the Royal Collection as being “fascinating and compelling”. She was involved in the opening of the New Cumberland Art Gallery at Hampton Court Palace, which has brought together works by Caravaggio, Holbein, Rembrandt, Gentileschi (both father and daughter), Gainsborough and many more in a beautiful historic setting.

From Garbo to Garland – The Magical Art of Hollywood

Wednesday 3rd July 2019

Dr Geri Parlby

Lights, Camera, Action! – inside stories of the art and artifice of the early decades of Hollywood.

This lecture covers the work of stills photographers, costumiers, publicists, actors and actresses and the movie moguls who made it all happen.

Geri is a former Fleet Street journalist and film publicist. She has a first class honours degree in History and Theology, a Masters in History of Art from the Courtauld Institute and a Theology doctorate from Roehampton University in London. She has been lecturing for the past eleven years both in the UK and internationally. She is an Honorary Research Fellow at Roehampton University and a Fellow of the Royal Society of Arts.

Note – This lecture will follow our AGM which will start at 1:30pm

Temples, Tombs and Treasures: In Search of the Queen of Sheba

Wednesday 4th September 2019

Louise Schofield

This is the first lecture of the 2019/ 20 season.

The fame of the Queen of Sheba has lasted across the many intervening centuries since she made her epic journey from her distant land to the court of King Solomon.

A passage in the Bible’s Book of Kings has immortalised this Queen and the journey that she made, her camel caravan laden with gold and incense as gifts for the king of Jerusalem.

In this talk, Louise looks at how the Queen of Sheba has captured the imagination of great artists, inspired epic films and has led archaeologists to go in search of her land. It’s a search that has led to discoveries of great temples, tombs and treasures both in the Yemen and in Ethiopia.

Louise is an archaeologist who was Curator of Greek Bronze Age and Geometric Antiquities at the British Museum from 1987-2000. Her book, “The Mycenaeans”, was co-published by the Getty Museum and the British Museum in 2007. She now writes, lectures and runs international archaeological projects – previously in south-eastern Turkey, Greece and Albania and currently in Ethiopia. She has just been appointed Visiting Professor of Archaeology at the American University of Rome.

Brilliant Britsh Humour in the Forgotten Art of the Picture Postcard 1909-1939

Wednesday 2nd October 2019

James Taylor

From the Edwardian era to the outbreak of World War II, millions of artist-drawn humorous postcards were produced, not just for entertainment but to bolster morale, to inspire, instruct, motivate and persuade.

Discover the popular themes and styles of the period by the masters of the medium such as Mabel Lucie Attwell, Dudley Buxton, Donald McGill and Fred Spurgin, and the reasons why their popularity waned with the British public. 

James Taylor studied at the Universities of St Andrews and Manchester, and is a former curator of paintings, drawings and prints, and co-ordinator of various exhibitions and galleries, at the National Maritime Museum, Greenwich and also a lecturer and ships’ historian on board cruise ships.

James completed his PhD at the University of Sussex in 2015 on the voyager artist William Westall (1781-1850) who sailed with Commander Matthew Flinders aboard HMS ‘Investigator’ (1801-1803) the first ship to circumnavigate Australia.

His publications include illustrated histories of Marine Painting (1995) and yachting art Yachts on Canvas (1998), The Voyage of the Beagle: Darwin’s extraordinary adventure aboard FitzRoy’s famous survey ship (2008), Careless Talk Costs Lives: Fougasse and the Art of Public Information (2010) and Your Country Needs You: the Secret History of the Propaganda Poster (2013).

Secret Art in the Passport: How we use it to fox the forger

Wednesday 6th November 2019

Martin Lloyd

From the wax seal to the microchip, man has exploited the skill of the artist and artisan in his attempt to manufacture a forgery-proof document.

Taking you through three centuries of passport design, this lecture explains the overt, and uncovers the covert, to illustrate the defences built in to the passport and the tricks the forger uses to defeat them.

Martin Lloyd been lecturing to various groups, including U3A, National Trust, historical societies, Gresham College and business groups since 2008. He previously worked for HM Immigration Service, and has broadcast on local and national television and radio.